Each piece I create begins with a clear vision—an exploration of form, function, and balance. My work explores the intersection of function and sculpture, where balance is both a necessity and a guiding principle. Whether shaping fine spirals, faceting surfaces to create depth, or crafting forms that challenge conventional stability, my process is deliberate, with careful attention to how each element is shaped and refined to achieve the final product. I create both functional and sculptural ceramics, wood-firing to achieve rich surfaces shaped by flame and ash. I experiment with different slips and ash glazes, exploring how they interact in the kiln to create varied textures and depth.
A dialogue between tradition and contemporary innovation inform my style. My pieces blend influences from Japanese and Chinese aesthetics with mid-century and minimalist design sensibilities. Functionality often takes an unexpected turn in my work; a lamp or a set of ceramic speakers might emerge alongside a series of vases or lidded jars. I believe these explorations invite ourselves to reconsider the relationship between art and utility.
Balance is a recurring theme, both visually and structurally. Some of my large vase forms climb up and outward dramatically, requiring careful attention to stability throughout the process. I also focus on the fluidity of transitions—how segments of a piece interact and evolve into a cohesive whole. My interest in mixed media extends this conversation, incorporating elements like segments of tree roots and carved handles to enhance form and function.
Ultimately, my work aims to challenge expectations while remaining deeply rooted in the tactile and intentional process of working with clay. Each piece is a study in equilibrium, an invitation to explore the harmony between material, movement, and meaning.
